Sean Costello
(Jazz/Blues, Rock/Pop, Hip-Hop/R&B)
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“I love playing the guitar,” Sean Costello is prone to say. “As a kid I was definitely obsessive over
the instrument,” the twenty-five year-old explains, “and for years I felt I could express myself
better through the guitar with my own voice. But right now I’m equally driven towards writing
songs and expanding my vocal direction,” he adds.
Costello was born in Philadelphia in 1979 and moved with his family to Atlanta at the age of 9.
Soon after, he picked up the guitar. By 14 he had won the Memphis Blues Society’s talent award
and was already on the road with his own band. In 1996, the 17 year-old released his first album,
Call The Cops. Real Blues Magazine called it “an explosive debut.” Around this time Costello
joined up with fellow blues guitarist Susan Tedeschi, touring with her and laying down some
exuberant lead guitar work on her Gold-certified Tone-Cool debut Just Won’t Burn.
In 2000, when he released Cutti’ In on Landslide Records, Costello wasn’t even 20 years old and
he already had a gold record on his wall. Cuttin’ In earned him a slew of critical acclaim as well as
a prestigious W. C. Handy Award nomination for “Best New Artist Debut.” The album received a
four and a half star review from the AllMusicGuide and Blues Revue Magazine exclaimed, “Sean
Costello blows in like a gust of fresh spring air!” The LA Weekly praised the guitar player by
printing, “Costello is the real deal!”
With 2002’s Moanin’ For Molasses, also on Landslide, came a Blues Revue cover story touting
Costello as “the top contender to be the next blues star’ and soon.” Costello’s hometown paper
The Atlanta Journal-Constitution called his guitar playing “masterful” and of “remarkable maturity.”
The paper also compared him to such legends as B. B. King, Eric Clapton and Stevie Ray
Vaughan.
In 2005, Sean Costello was released by Artemis Records. This self-titled volume, produced by
Steve Rosenthal (The Rolling Stones, Suzanne Vega, Freedy Johnston) was the guitarist’s fourth
release and by far his most diverse and spectacular. In it, Costello shifted gears from Chicago
blues to a crafty mixture of soul, funk, upbeat rock and his native blues, joined by some special
guests: Levon Helm of The Band sits in on two tracks, as does his daughter, Amy Helm, with her
group, Ollabelle. Steve Jordan, Willie Weeks and the Conan O’Brien horn section.
Back in the studio with Steve Rosenthal again, Sean Costello is continuing his musical
exploration of old and new musical styles. “So much great music has been made over the past
100 years,” Costello says matter-of-factly. “So much ground has been broken that I feel part of
my job as a musician is to combine some of these styles. Mix them up and push the envelope a
bit.” This new collection of songs includes “You Wear it Well” (Small Faces) and “Check it Out”
(Bobby Womack) but the real gems are the originals. Sean has now come into his own as both a
singer and a writer, augmenting his stellar guitar playing. Some of this new music will be featured
in his set at SXSW in March 2006, as well as on tour in the U.S. and internationally throughout
the year.
Costello, who has been fortunate enough to earn the respect and admiration of many of his own
idols, has had the opportunity to sit in with these mentors. He has already shared stages with
B.B. King, Buddy Guy, James Cotton, Pinetop Perkins, and Bo Diddley to name a few. These
extraordinary performers are Sean Costello’s heroes, and it would not be surprising to see him
fall in with their ranks one day. “All I’ve ever wanted to do was play the guitar well. “I’ve been
fortunate to be able to make a living doing it, and I plan to keep it up for the rest of my life.” -- wink5512
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